it's almost kind of freaky...i like it!

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snazzy.

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How do you get to Carnegie Hall?

this is all I could ask for

thank you!

i dont think it needs a face but then again its not upto me

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im an idiot

thanks! I'll keep it in mind.

Do you have any sort of story/background for your paintings? Or do you just sit down and say "hey, you know what I want to draw tonight? A creepy rabbit man with his two children"?

I ask because they really feel like they should have stories that go along with them.

Loving your slightly disturbing work as always,
Guen

haha, nah, I don't ever have a real story behind anything I paint, but I DO have the intention to give that illusion; one of my favorite things about painting is the way it can inspire someone's imagination. Movies are expository, but with photography and painting there's a really fun opportunity to try and get people to imagine scenarios you set up. So yeah, I just start with initial ideas for paintings that I find compelling, some of them are wrought with my own intentions but other things are purely a subconscious affair. I have this weird compelling force to draw stuff like children and rabbits, as products of an environment that is largely unobservable and thus incomprehensible. I think they usually come out feeling a little disturbing because I'm so compelled to mix in both tragedy and happiness into single pieces; I've struggled a lot this year with the idea of when happiness is humanely allowable. So that's what Rabbit Father and RBBT FTHR and Rabbit Brother have been, although originally they were a part of a series that was initially intended to be tied with "Eva," which is actually a fairly thought out piece about fame and poststructuralism I came up with after writing an essay about Eva Peron.

ps thanks for letting me bore you